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Post by sewhite2000 on May 21, 2023 1:56:45 GMT
Daytime June 1 Showgirls Showgirl in Hollywood (Alice White, Jack Mulhall) (Warner Bros., 1930) Bright Lights (Dorothy Mackaill, Frank Fay) (Warner Bros., 1930) Cain and Mabel (Marion Davies, Clark Gable) (Warner Bros., 1936) Marked Woman (Bette Davis, Humphrey Bogart) (Warner Bros., 1937) Ziegfeld Girl (James Stewart, Judy Garland) (MGM, 1941) The Prince and the Showgirl (Marilyn Monroe, Laurence Olivier) (Warner Bros., 1957) Party Girl (Robert Taylor, Cyd Charisse) (MGM, 1958) Viva Las Vegas (Elvis Presley, Ann-Margaret) (MGM, 1964)
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Post by sewhite2000 on May 21, 2023 23:57:07 GMT
Primetime June 1 Night One of Star of the Month Katharine Hepburn (continues on up to about 10:30 am ET June 2). Sub-theme: Box Office Poison, the way at least one press release infamously labeled her after the grosses of her RKO films dwindled near the end of the '30s
Christopher Strong (Katharine Hepburn, Colin Clive) (RKO, 1933) The Little Minister (Katharine Hepburn, John Beal) (RKO, 1934) Spitfire (Katharine Hepburn, Robert Young) (RKO, 1934) Break of Hearts (Katharine Hepburn, Charles Boyer) (RKO, 1935) Sylvia Scarlett (Katharine Hepburn, Cary Grant) (RKO, 1935) Mary of Scotland (Katharine Hepburn, Frederic March) (RKO, 1936) Quality Street (Katharine Hepburn, Franchot Tone) (RKO, 1937)
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Post by sewhite2000 on May 22, 2023 0:06:18 GMT
Daytime June 2 Robert Mitchum Desire Me (Greer Garson, Robert Mitchum) (MGM, 1947) Out of the Past (Robert Mitchum, Jane Greer) (RKO, 1947) Blood on the Moon (Robert Mitchum, Barbara Bel Geddes) (RKO, 1948) Holiday Affair (Robert Mitchum, Janet Leigh) (RKO, 1949) Angel Face (Robert Mitchum, Jean Simmons) (RKO, 1953) The Good Guys and the Bad Guys (Robert Mitchum, George Kennedy) (Warner Bros., 1969)
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Post by sewhite2000 on May 24, 2023 23:25:00 GMT
Primetime June 2 Night One of the Month-Long Summer Camp Theme. I'm a little fuzzy about how this theme works. The TCM website no longer seems to talk about anything that's happening on the network until the month it's happening actually begins, so there's zero information there. Maybe it will be clearer to me if it becomes an annual thing (I think it's happened before, but it's not embedded in my long-term memory like other annual network events). It's not a youngster-oriented thing, it doesn't look like, judging from the lineup, which one might assume from the concept of a summer camp. Looks simply mostly like films that are intended to be fun viewing, or that have become fun viewing despite original intent, like the "mondo melodramas" night.
Okay, anyway, the sub theme of the first night is early tongue-in-cheek humor. She Done Him Wrong (Mae West, Cary Grant) (Paramount, 1933) The Women (Norma Shearer, Joan Crawford) (MGM, 1939) The Gang's All Here (Alice Faye, James Ellison) (20th Century Fox, 1942) The Importance of Being Earnest (Michael Denison, Edith Evans) (Dist. in the US by Universal, 1952) Auntie Mame (Rosalind Russell, Roger Smith) (Warner Bros., 1958) Pillow Talk (Doris Day, Tony Randall) (Universal, 1959)
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Post by topbilled on May 27, 2023 2:05:56 GMT
Okay, anyway, the sub theme of the first night is early tongue-in-cheek humor. She Done Him Wrong (Mae West, Cary Grant) (Paramount, 1933) The Women (Norma Shearer, Joan Crawford) (MGM, 1939) The Gang's All Here (Alice Faye, James Ellison) (20th Century Fox, 1942) The Importance of Being Earnest (Michael Denison, Edith Evans) (Dist. in the US by Universal, 1952) Auntie Mame (Rosalind Russell, Roger Smith) (Warner Bros., 1958) Pillow Talk (Doris Day, Tony Randall) (Universal, 1959) THE GANG'S ALL HERE is a real fun one. The musical tunes with Alice Faye are nicely done. Plus Carmen Miranda has a show-stopping number that has to be seen to be believed.
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Post by sewhite2000 on May 27, 2023 2:29:22 GMT
THE GANG'S ALL HERE is a real fun one. The musical tunes with Alice Faye are nicely done. Plus Carmen Miranda has a show-stopping number that has to be seen to be believed.
I watched it once before on TCM. I always try to seek out Fox films airing on the network, rare as they are. I don't have Fox Movie Channel on my cable lineup. I looked up the title on IMDB to get some info for my post and was surprised to see it was available on MGM+, however. Sounds like somehow Warner Discovery must own the rights, which would explain its occasional airing on TCM. I like the flirtation between Miranda and nervous Nellie Edward Everett Horton. And, as I recall, the final number is Berkely taking his surrealism to its extremes.
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Post by sewhite2000 on May 27, 2023 2:48:09 GMT
Morning June 3 Saturday Matinee There are travelogues, documentaries, cartoons (one of them is a Popeye), a chapter from a Batman serial and other shorts. These are the two scripted "features" (although they're both under 65 minutes) I could find:
The Big Noise (Guy Kibbee, Alma Lloyd) (Warner Bros., 1936) Calling Philo Vance (James Stephenson, Margot Stevenson) (Warner Bros., 1940)
Musical Matinee ABBA: the Movie (Ani-Frid Lyngstad, Benny Andersson) (Dist. in the US by Warner Bros., 1979)
Afternoon ... Sports? Angels in the Outfield (Paul Douglas, Janet Leigh) (MGM, 1951) Strangers on a Train (Farley Granger, Ruth Roman) (Warner Bros., 1951) Hoosiers (Gene Hackman, Barbara Hershey) (Orion, 1986)
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Post by sewhite2000 on May 27, 2023 2:54:36 GMT
Primetime June 3 Tony Curtis (and instead of the usual fare, we get a couple of TCM premieres from Universal) The Black Shield of Falworth (Tony Curtis, Janet Leigh) (Universal, 1954) The Great Imposter (Tony Curtis, Joan Blackman) (Universal, 1960)
Quick Edit: Forgot to post the schedule for the rest of the night
Noir Alley Between Midnight and Dawn (Mark Stevens, Gale Storm) (Columbia, 1950)
Late Night Goldie Hawn in 1984 Swing Shift (Goldie Hawn, Kurt Russell) (Warner Bros., 1984) Protocol (Goldie Hawn, Chris Sarandon) (Warner Bros., 1984)
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Post by sewhite2000 on May 27, 2023 3:15:30 GMT
Morning June 4 Not both British movies, but '60s movies about Brits, I guess? Saturday Night and Sunday Morning (Albert Finney, Shirley Anne Field) (Dist. in the US by Continental, 1960) The Loved One (Robert Morse, Anjanette Comer) (MGM, 1965)
Then afternoon after the Noir Alley repeat Random Programming Born Yesterday (Judy Hollliday, William Holden) (Columbia, 1950) The Mating Game (Debbie Reynolds, Tony Randall) (MGM, 1959) Sex and the Single Girl (Tony Curtis, Natalie Wood) (Warner Bros., 1964) A Chorus Line (Michael Douglas, Terrence Mann) (Columbia, 1985)
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Post by sewhite2000 on May 27, 2023 3:27:04 GMT
Primetime June 4 Western Spoofs Along Came Jones (Gary Cooper, Loretta Young) (RKO, 1945) Blazing Saddles (Cleavon Little, Gene Wilder) (Warner Bros., 1974)
Silent Sunday Nights Lon Chaney The Blackbird (Lon Chaney, Renee Adore) (MGM, 1926)
TCM Imports Famous Foreign Films from 1994 Three Colors: White (Zbigniew Zamachowski, Julie Delpy) (Dist. in the US by Miramax, 1994) Before the Rain (Katrin Cartlidge, Rade Serbedzija) (Dist. in the US by Gramercy, 1995)
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Post by Fading Fast on May 27, 2023 4:34:51 GMT
Morning June 3 Saturday Matinee There are travelogues, documentaries, cartoons (one of them is a Popeye), a chapter from a Batman serial and other shorts. These are the two scripted "features" (although they're both under 65 minutes) I could find: The Big Noise (Guy Kibbee, Alma Lloyd) (Warner Bros., 1936) Calling Philo Vance (James Stephenson, Margot Stevenson) (Warner Bros., 1940) Musical Matinee ABBA: the Movie (Ani-Frid Lyngstad, Benny Andersson) (Dist. in the US by Warner Bros., 1979) Afternoon ... Sports? Angels in the Outfield (Paul Douglas, Janet Leigh) (MGM, 1951) Strangers on a Train (Farley Granger, Ruth Roman) (Warner Bros., 1951) Hoosiers (Gene Hackman, Barbara Hershey) (Orion, 1986) I love "Angles in the Outfield," as it combines two of may favorite things, baseball and romcoms. Plus, Douglas and Leigh have great chemistry in this one. TCM's run it a bunch recently (I'm sure they "leased" it for a period of time, so they show it a lot) and, darn it, I have to force myself not to watch it if I have work that has to get done; otherwise, I sit there like an idiot watching this relatively lightweight movie for the umpteenth time.
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Post by cmovieviewer on May 27, 2023 8:37:24 GMT
I love "Angles in the Outfield," as it combines two of may favorite things, baseball and romcoms. Plus, Douglas and Leigh have great chemistry in this one. TCM's run it a bunch recently (I'm sure they "leased" it for a period of time, so they show it a lot) and, darn it, I have to force myself not to watch it if I have work that has to get done; otherwise, I sit there like an idiot watching this relatively lightweight movie for the umpteenth time. I 2nd your comments. I also enjoy the fact that TCM is showing a really nice print of the film - it looks great in HD now. The baseball scenes make me feel like I've gone back in time and can see what a game at the stadium was like during this period.
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Post by topbilled on May 27, 2023 15:58:09 GMT
THE GANG'S ALL HERE is a real fun one. The musical tunes with Alice Faye are nicely done. Plus Carmen Miranda has a show-stopping number that has to be seen to be believed.I watched it once before on TCM. I always try to seek out Fox films airing on the network, rare as they are. I don't have Fox Movie Channel on my cable lineup. I looked up the title on IMDB to get some info for my post and was surprised to see it was available on MGM+, however. Sounds like somehow Warner Discovery must own the rights, which would explain its occasional airing on TCM. I like the flirtation between Miranda and nervous Nellie Edward Everett Horton. And, as I recall, the final number is Berkely taking his surrealism to its extremes. In the early 2000s I lived in a condo community next door to an 85 year old woman (who was passing as 80 LOL)...she was an interesting gal who talked about some of her favorite studio era stars. She often mentioned Alice Faye. Despite having gone to film school where we studied all kinds of films from different studios in various genres, I had never seen an Alice Faye movie. Heck I'd never even heard any of her hit recordings. Basically, I knew nothing about Alice Faye.
The neighbor lady gave me a special edition book she had collected which was all about Alice Faye. It was not a biography per se, it was more a look at individual films with notes about the productions. All the photos were in black and white, and by reading that particular book, it is where I learned about such classics like IN OLD CHICAGO, ROSE OF WASHINGTON SQUARE, LILLIAN RUSSELL, HELLO FRISCO HELLO, FALLEN ANGEL and of course THE GANG'S ALL HERE.
A few years later I upgraded to a cable tier that had the Fox Movie Channel and only then, did I start watching these wonderful gems. And of course, I could see why my neighbor was such a fan of Alice Faye.
A few things the book said about Alice Faye...in 1940, she made $157,000. I am guessing this was a combination of earnings from film and her recordings. Another thing is that she grew up in Hell's Kitchen in poverty, and she was forced to drop out of school after eighth grade to start working. She found a job in vaudeville and by age 16 was dancing on Broadway. She made her first film at 19.
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Post by sewhite2000 on May 27, 2023 16:53:24 GMT
Daytime June 5 June Brides Double Wedding (William Powell, Myrna Loy) (MGM, 1937) The Bride Came C.O.D. (James Cagney, Bette Davis) (Warner Bros., 1941) June Bride (Bette Davis, Robert Montgomery) (Warner Bros., 1948) Father of the Bride (Spencer Tracy, Joan Bennett) (MGM, 1950) Royal Wedding (Fred Astaire, Sarah Churchill) (MGM, 1951) High Society (Bing Crosby, Grace Kelly) (MGM, 1956) Father of the Bride (Steve Martin, Diane Keaton) (Disney, 1991)
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Post by sewhite2000 on May 27, 2023 17:06:43 GMT
Daytime June 5 Genre Change Remakes I had to re-read that carefully and make sure it wasn't GENDER change. Turning a gangster drama into a Western and a talky comedy into a musical. The Women already airs just three days earlier as part of the Summer Camp spotlight on early tongue-in-cheek humor, so just five days into the month, it becomes the first non-Noir Alley feature to air twice in June.
The Women (Norma Shearer, Joan Crawford) (MGM, 1939) High Sierra (Ida Lupino, Humphrey Bogart) (Warner Bros., 1941) Colorado Territory (Joel McCrea, Virginia Mayo) (Warner Bros., 1949) The Opposite Sex (June Allyson, Joan Collins) (MGM, 1956)
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