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Post by sepiatone on Jan 11, 2023 17:27:16 GMT
How about just doing things at random. I just posted in another thread about once going through a Yes "jag". Which brought to mind this guitarist....
STEVE HOWE
Sepiatone
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Post by galacticgirrrl on Jan 12, 2023 0:17:53 GMT
1974 Five Faces of the Guitar Jeff Beck
Jeff Beck - She's A Woman (Live)
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Post by Lucky Dan on Jan 12, 2023 0:45:43 GMT
Jeff didn't sing and his solo career concerts were instrumental but he kept a live mic on stage. When asked why, he'd say, "In case I need to tell somebody to pi$$ off." I've no doubt the occasion arose.
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Post by sepiatone on Jan 12, 2023 17:10:43 GMT
Your way of saying "goodbye", eh Dan? Yeah, RIP too. But getting slightly back to jazz.... Even before Wes my introduction to jazz guitar was kind of silly on my part.When watching the movie THE SWEET SMELL OF SUCCESS in my early teens I saw a familiar face from the TV show ROUTE 66 and surprised that Marty Milner played guitar that good But many years later I discovered that Milner was just very good at faking it. And that it was this well established jazz guitarist that was actually playing those notes. Sepiatone
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Post by Lucky Dan on Jan 12, 2023 18:28:14 GMT
Your way of saying "goodbye", eh Dan? Yeah, RIP too. My way of appreciating his wit, his eloquence, and I thought the thread appropriate.
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Post by jamesjazzguitar on Jan 12, 2023 18:53:57 GMT
I have seen John Pisano a few times since he lives in the Los Angeles area. He was the rhythm guitarist for Joe Pass on 3 or 4 albums at the tail end of Pass's career. But Pisano can hold his own when it comes to soloing. Some of his best work was in the early 60s with guitarist Billy Bean. (not the baseball manager of the Oakland As). Pisano is still with us but stopped performing a while back.
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Post by galacticgirrrl on Jan 13, 2023 0:07:32 GMT
In 100s of years time Nigel Tufnel will be revered as one of the great philosophers of our time
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Post by jamesjazzguitar on Jan 13, 2023 0:53:37 GMT
Tonight is my weekly jam session night. We start out with jazz standards but end with Beatles tunes. I don't know any Jeff Beck songs but I do play She's A Woman in the kind of pace that Beck did (as posted above). I.e. with a lot of space to know in riffs and to bend notes but with feeling.
So I'm going to see if the others wish to that as a tribute to Beck. (the song is just A7 to D7 than to E7, with the "she's a woman' break going to c#m7, so they should be able to handle it on the fly).
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Post by Lucky Dan on Jan 13, 2023 3:33:57 GMT
Tonight is my weekly jam session night. We start out with jazz standards but end with Beatles tunes. I don't know any Jeff Beck songs but I do play She's A Woman in the kind of pace that Beck did (as posted above). I.e. with a lot of space to know in riffs and to bend notes but with feeling. So I'm going to see if the others wish to that as a tribute to Beck. (the song is just A7 to D7 than to E7, with the "she's a woman' break going to c#m7, so they should be able to handle it on the fly). Whaa!? Do "Cause we ended." You won't do it like Jeff but who can? If you don't have a strat, get one. Because Jeff would want it that way.
(That's Tal Wilkenfeld on bass, cause you're going to want to know.)
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Post by Tal's tribute on Jan 13, 2023 4:08:56 GMT
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Post by sepiatone on Jan 13, 2023 15:53:03 GMT
Tonight is my weekly jam session night. We start out with jazz standards but end with Beatles tunes. I don't know any Jeff Beck songs but I do play She's A Woman in the kind of pace that Beck did (as posted above). I.e. with a lot of space to know in riffs and to bend notes but with feeling. So I'm going to see if the others wish to that as a tribute to Beck. (the song is just A7 to D7 than to E7, with the "she's a woman' break going to c#m7, so they should be able to handle it on the fly). I haven't been in a band of any kind since 1970. But in the early '70's I'd occasionally jam with a band formed of a co-worker and some of his friends. They were all African-Americans, but preferred playing rock and blues instead of what some of their "brothers" said they should. And we dug jammin' on this old Beck gem(and to most his "signature" tune. Sepiatone
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Post by galacticgirrrl on Jan 13, 2023 21:14:25 GMT
The Mother of Rock ‘n’ Roll Sister Rosetta Tharpe
Despite her fame, institutional racism in the mid-1940s was still rampant. On tour, all restaurants and hotels were still segregated, so Tharpe slept on buses. She went around the back end of restaurants to pick up food because they wouldn't let her in. Yet the spirit in her music never broke. Tharpe, a striking woman who performed in evening gowns with an electric guitar, cannot be categorized easily. She sang with the cadence of a blues artist but looked like the gospel queen she was, with a crowning permanent wave and flowing dresses. “She was playing rock ‘n’ roll way before anyone else,” says Lonnie Liston Smith Jr., a jazz, soul and funk musician who played with Miles Davis and Pharoah Sanders. “That was way before Chuck Berry and all those guys. Nobody else had even come up with something like that.” The LGBTQ community has adopted Tharpe as an icon, a boundary-smashing figure in her personal as well as professional life and a forerunner of those artists who consciously blurred aesthetic and social lines over the past 50 years.
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Post by sepiatone on Jan 14, 2023 16:51:54 GMT
Thank you Gallactagirl(sic) for the post of Sister Rosetta Tharpe. I'm gonna get back to jazz a bit here.... I've gotten into several arguments about the folly of guitar manufacturers misleading novice guitar players with their promoting big, fat hollow bodied arch topped guitars as "Jazz" guitars. Jazz is a genre of music in a particular style that can be played on any guitar. Playing a fat hollow bodied guitar won't necessarily make anyone a better jazz guitarist, and isn't a written in stone requirement for playing jazz on a guitar. I've gotten a lot of silly blowback on this, but i respond, usually, by mentioning this highly respected Canadian jazz guitarist who plied his trade on the furthest thing from a fat, hollow bodied guitar... And Bickert wasn't the only one who used something other than a fat, hollow bodied arch top guitar to play jazz. There was also this legendary guitarist too. Sepiatone
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Post by jamesjazzguitar on Jan 14, 2023 18:19:08 GMT
The topic of what type of guitar works "best" for jazz is a hot one on the jazz guitar forum. Of course one can play jazz on a Strat, Telle, or Les Paul. I use hollow body arch tops, with a silver face Fender Princeton amp, since I like the woody sound, but the playing of jazz is about the skill of the musician and not what equipment is used. Also related to these debates is the strings. I prefer 13s which my rock friends can't understand. But since I rarely bend notes when playing jazz I like thick strings.
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Post by sepiatone on Jan 17, 2023 17:51:52 GMT
Sure. Whatever gets you the tone you prefer.
I did get a bit heavy on the mention of blues guitarists. Mentioning mostly those in the past. But of the newer crop I like this guy pretty much.
Sepiatone
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