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Post by topbilled on Jan 1, 2023 18:03:52 GMT
I spent New Year's Eve watching some of the romcoms that Raymond & Sothern made at RKO in the mid-1930s. These are just so entertaining.
- HOORAY FOR LOVE (1935)...haven't seen this one yet
- SMARTEST GIRL IN TOWN (1936)...loved it, has a precode vibe, she's a gold digger trying to snag a rich husband and he's a rich guy pretending to be poor, so of course she doesn't want him..or does she?
- WALKING ON AIR (1936)...collaboration that has the most music and dancing in it, a lovely film
- THERE GOES MY GIRL (1937)...they're both reporters at a big city newspaper, and they are unable to marry when a murder takes place and they both compete to cover the story; shades of HIS GIRL FRIDAY three years before HIS GIRL FRIDAY was made. This is an entertaining picture.
- SHE'S GOT EVERYTHING (1937)...my favorite one, a classic screwball comedy in which she's a poor rich girl whose late father put her into debt, so she gets a job as his secretary and of course, she wants to be independent and pay off what she owes on her own terms, but he wants to marry her and solve all her financial problems. Film benefits from excellent support by Helen Broderick, Victor Moore and Billy Gilbert. The crazy chase scene at the end where they get married on the back of a truck is hilarious.
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Post by Fading Fast on Jan 1, 2023 18:37:06 GMT
⇧ Talk about a big star - Gene Raymond - in his day, who has fallen all but completely off the radar. I really like the movie "Walling on Air."
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Post by topbilled on Jan 7, 2023 21:53:01 GMT
⇧ Talk about a big star - Gene Raymond - in his day, who has fallen all but completely off the radar. I really like the movie "Walling on Air." Since starting this thread, I have been watching a bunch of different Gene Raymond films (in addition to the ones he made with Ann Sothern). I really love SEVEN KEYS TO BALDPATE (1935). RKO made three different versions, but I prefer Raymond's more comedic take on the role.
I think what I most like about him as an actor is that his line deliveries seem very modern. He talks the way we talk now. He sticks to the script, but also seems to put inflections and mannerisms into the line deliveries that seem a bit cocky and fun, just like how people talk in 2023. So his performances seem to transcend his era.
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Post by Fading Fast on Jan 7, 2023 22:16:49 GMT
⇧ Talk about a big star - Gene Raymond - in his day, who has fallen all but completely off the radar. I really like the movie "Walling on Air." Since starting this thread, I have been watching a bunch of different Gene Raymond films (in addition to the ones he made with Ann Sothern). I really love SEVEN KEYS TO BALDPATE (1935). RKO made three different versions, but I prefer Raymond's more comedic take on the role.
I think what I most like about him as an actor is that his line deliveries seem very modern. He talks the way we talk now. He sticks to the script, but also seems to put inflections and mannerisms into the line deliveries that seem a bit cocky and fun, just like how people talk in 2023. So his performances seem to transcend his era. That's an astute observation that I "felt," but hadn't thought through like you did, as you are spot on, there is a modern style to his delivery and inflection. It's really amazing how "unknown" he is today.
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