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Post by Swithin on Dec 22, 2022 3:46:06 GMT
Since there are no threads in this "Comedy" area yet, we might as well begin with Murder, He Says. Fred MacMurray plays a pollster who travels to the heart of hillbilly land to search for a missing colleague. He visits the last family that the colleague was supposed to have interviewed: the Fleagles, headed by matriarch Marjorie Main, in one of her wackiest roles. The plot involves a treasure hunt for a fortune hidden by Granny, played by Mabel Paige. When Granny dies, the only clue to the treasure's location is a tune sung by a dimwitted daughter. The film is chockablock with crazy characters, most of whom give excellent performances, particularly Helen Walker and Barbara Pepper. The movie features one of the great dinner scenes. www.tcm.com/video/353925/murder-he-says-1945-we-dont-like-gravyAn interesting bit of trivia: the song that gives the clue to the money's whereabouts is very similar to the theme song of the NPR show "All Things Considered."
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Post by nipkowdisc on Dec 23, 2022 6:49:46 GMT
a hilarious film I first saw saturday mornings on wnew channel 5 out of nyc. there shoulda been a sequel the Fleagles meet the Kettles. I've often wondered if the fleagle mansion is authentic ozark architecture either pre-antebellum or post-antebellum. Granny's room has steps down to the floor which is lower than the doorway.
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Post by topbilled on Dec 23, 2022 14:39:30 GMT
I have long considered Helen Walker an underrated actress. Recently I watched and reviewed the Republic noir MURDER IN THE MUSIC HALL (1946) in which she has a supporting role. Every minute she is on screen she diverts our attention away from the lead actress, Vera Ralston, most of the time without really trying. She just naturally has a way with a line delivery that puts all eyes on her.
She has a small role in the 1955 noir THE BIG COMBO as Richard Conte's institutionalized wife...and once again, she doesn't fail to impress.
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Post by Swithin on Dec 23, 2022 21:49:21 GMT
I have long considered Helen Walker an underrated actress. Recently I watched and reviewed the Republic noir MURDER IN THE MUSIC HALL (1946) in which she has a supporting role. Every minute she is on screen she diverts our attention away from the lead actress, Vera Ralston, most of the time without really trying. She just naturally has a way with a line delivery that puts all eyes on her.
She has a small role in the 1955 noir THE BIG COMBO as Richard Conte's institutionalized wife...and once again, she doesn't fail to impress. She has a lovely role in a quasi-horror film The Man in Half Moon Street, made the same year as Murder, He Says.
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