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Post by sewhite2000 on Jan 18, 2023 3:35:16 GMT
Primetime January 30 Irene Papas
Tribute to a Bad Man (James Cagney, Don Dubbins) (MGM, 1956) Electra (Irene Pappas, Giannis Ferris) (Dist. in the US by Lopert, 1962) Zorba the Greek (Anthony Quinn, Alan Bates) (20th Century Fox, 1964) Z (Yves Montand, Irene Papas) (Dist. in the US by Cinema V, 1969) A Dream of Kings (Anthony Quinn, irene Papas) (National General, 1969)
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Post by sewhite2000 on Jan 19, 2023 3:18:30 GMT
Daytime January 31 Jean Simmons' 94th Birthday
Black Narcissus (Deborah Kerr, David Farrar) (Dist. in the US by Universal, 1947) Hamlet (Laurence Olivier, Jean Simmons) (Dist. in the US by Universal, 1948) The Actress (Spencer Tracy, Jean Simmons) (MGM, 1953) Angel Face (Robert Mitchum, Jean Simmons) (RKO, 1953) This Could Be the Night (Jean Simmons, Paul Douglas) (MGM, 1957) Home Before Dark (Jean Simmons, Dan O'Herlihy) (Warner Bros., 1958)
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Post by Fading Fast on Jan 19, 2023 8:54:08 GMT
Daytime January 31 Jean Simmons' 94th Birthday Black Narcissus (Deborah Kerr, David Farrar) (Dist. in the US by Universal, 1947) Hamlet (Laurence Olivier, Jean Simmons) (Dist. in the US by Universal, 1948) The Actress (Spencer Tracy, Jean Simmons) (MGM, 1953) Angel Face (Robert Mitchum, Jean Simmons) (RKO, 1953) This Could Be the Night (Jean Simmons, Paul Douglas) (MGM, 1957) Home Before Dark (Jean Simmons, Dan O'Herlihy) (Warner Bros., 1958) I'm not proud of how much I enjoy the silly movie "This Could be the Night," but I do. I recommend it to anyone in the mood for an offbeat romcom. It helps that it is directed by one of my favorite lesser-known directors, Robert Wise.
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Post by Roy Cronin on Jan 19, 2023 13:40:15 GMT
That's a nice Jean Simmons lineup.
I also admire her work in "The Happy Ending" and one of her last roles in the female ensemble "How to Make an American Quilt."
She's one of my favorites.
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Post by sewhite2000 on Jan 20, 2023 4:23:04 GMT
Primetime January 31 RIP Jean-Luc Godard
Breathless (Jean-Paul Belmondo, Jean Seberg) (Dist. in the US by Films Around the World, 1961) My Life to Live (Anna Karina, Sady Rebbot) (Dist. in the US by Union Film Distributors, Inc., 1963) Contempt (Michel Piccoli, Brigitte Bardot) (Dist. in the US by Embassy, 1964) Masculine, Feminine (Jean-Pierre Leaud, Chantal Goya) (Dist. in the US by Royal Films International, 1966) The Little Soldier (Anna Karina, Michel Subor) (Dist. in the US by West End Films, 1967)
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Post by cineclassics on Jan 20, 2023 20:07:54 GMT
Noir Alley this weekend is showing The Two Mrs. Carrolls starring Bogart and Stanwyck. It's one of the few Bogart films I have not seen and the negative reviews has been a large factor as to why I've procrastinated in watching it. Anyone here who has viewed it, what are your thoughts?
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Post by jamesjazzguitar on Jan 20, 2023 21:46:33 GMT
Noir Alley this weekend is showing The Two Mrs. Carrolls starring Bogart and Stanwyck. It's one of the few Bogart films I have not seen and the negative reviews has been a large factor as to why I've procrastinated in watching it. Anyone here who has viewed it, what are your thoughts? It is a disappointment to me, given that the leads are two of the best actors of the studio-era. Still worth watching, especially for the scene where Bogart is introduced to a diva, as played by Alexis Smith. The banter between the two makes for one great scene.
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Post by cineclassics on Jan 20, 2023 23:18:47 GMT
Noir Alley this weekend is showing The Two Mrs. Carrolls starring Bogart and Stanwyck. It's one of the few Bogart films I have not seen and the negative reviews has been a large factor as to why I've procrastinated in watching it. Anyone here who has viewed it, what are your thoughts? It is a disappointment to me, given that the leads are two of the best actors of the studio-era. Still worth watching, especially for the scene where Bogart is introduced to a diva, as played by Alexis Smith. The banter between the two makes for one great scene. How about the visuals? If a film noir provides a moody, stylized visual aesthetic with the low key lighting, I can oftentimes overlook an subpar script.
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Post by jamesjazzguitar on Jan 21, 2023 0:13:55 GMT
It is a disappointment to me, given that the leads are two of the best actors of the studio-era. Still worth watching, especially for the scene where Bogart is introduced to a diva, as played by Alexis Smith. The banter between the two makes for one great scene. How about the visuals? If a film noir provides a moody, stylized visual aesthetic with the low key lighting, I can oftentimes overlook an subpar script. It doesn't have many unique visuals. Near the end of the film there are some but they are more along the lines of a horror film than noir. This is true for Bogart's acting. His actions are driven by his shaky mental state and come of as over-the-top IMO. I am interested in Muller's comments; E.g. why he selected this film for Noir Alley.
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Post by sepiatone on Jan 21, 2023 17:27:42 GMT
Muller probably picked it because he somehow thinks it's "quintessential". I liked the movie OK, but I wouldn't really call it "great". And I wasn't necessarily disappointed when first seeing it because I went into it with no expectations. Not Bogart's best, but I find it hard to pick one that's a "worst". Sepiatone
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Post by topbilled on Jan 21, 2023 22:24:01 GMT
He's probably expected to pick films from TCM's library, and since this WB title has good production values and top tier stars, it makes sense that he'd select it.
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Post by jamesjazzguitar on Jan 21, 2023 23:11:37 GMT
He's probably expected to pick films from TCM's library, and since this WB title has good production values and top tier stars, it makes sense that he'd select it. I assume Eddie selected The Two Mrs. Carrolls due to the Borgat and Stanwyck being iconic noir actors, that this is the only film they did together and that it does involve murder (i.e. has some noir elements).
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Post by jamesjazzguitar on Jan 21, 2023 23:11:49 GMT
He's probably expected to pick films from TCM's library, and since this WB title has good production values and top tier stars, it makes sense that he'd select it. I assume Eddie selected The Two Mrs. Carrolls due to the Bogart and Stanwyck being iconic noir actors, that this is the only film they did together and that it does involve murder (i.e. has some noir elements).
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