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Post by kims on Aug 2, 2024 17:54:47 GMT
This is a William Wellman film I didn't like.
It's a quasi-remake of FIVE CAME BACK and BACK FROM ETERNITY. Screenplay by Ernest K. Gann, who took a paragraph to say what others could say in a sentence. Also full of cliches.
How can you miss with John Wayne, Claire Trevor, Lorraine Day, Paul Fix, Robert Stack, Jan Sterling, Phil Harris and other competent actors? Someone apparently made it the goal. Even the score didn't seem to fit the scenes. There were moments when I could imagine the actors thinking "I can't believe I'm doing this." But allow me to qualify, maybe I was in the wrong mood. After a few months I'll try again.
People who are versed in the technicalities of aviation will like this film-there was lots of technical dialogue.
Maybe someone who has seen all three films will do a compare and contrast? Or if you have seen THE HIGH AND MIGHTY give your impressions, because I can't believe I disliked a Wellman film. In the theater manager's rating system, I'd give it "I'm hiding in my office while the cashier is giving refunds."
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Post by I Love Melvin on Aug 4, 2024 12:22:40 GMT
I was hoping we'd see the return of the theater manager's rating system!
I think you're right that a lot of the problem was with the script, which Gann adapted from his own book. An author, particularly a wordy one, adapting their own work as a film script can sometimes lead to problems if they're too in love with their own words and forget that movies are just as much a visual medium. And the characters are basically stock types, retrofitted to flesh out a preconceived storyline, which often seems to happen with "adventure" writers. I've seen the other two you mentioned, but too long ago to make any real comparisons. The one THATM makes me think of is The Crowded Sky (1960), with Efram Zimbalist Jr. as the pilot with a haunted past and a planeful of similarly one-dimensional characters. On THATM, I think it was John Wayne's production company, still in its early stages, so he may have done some tinkering? It was also in the early days of CinemaScope and Hollywood was still learning how to make those cameras mobile, so maybe Wellman ran into problems with that?
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Post by kims on Aug 4, 2024 15:06:37 GMT
Your comment reminds me, I think I remember the right movie, THE BAD AND THE BEAUTIFUL. Kirk Douglas, the producer, tells Dick Powell, the writer, on film more can be told with one look than a whole page of written word.
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