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Post by kims on Mar 24, 2024 16:10:36 GMT
At original release, my friends saw it and were in raptures. By the time I saw it, Love Story had been so hyped that I was disappointed. And mystified why the catch phrase "Love means never having to say you're sorry" was so popular. Lots of trouble in the future if you don't say you're sorry sometimes. TCM ran WHAT'S UP DOC? and I love when Streisand says that line and O'Neal tells her that's the stupidest thing he's ever heard.
When LOVE STORY played on TCM a few days ago, I thought I'll give it another try. I find it less of a film and more a series of emotional montages with a great romantic score. The characters seemed two dimensional, not much depth at all. The score seemed to tell me how to feel rather than the acting. And there wasn't much acting required with all the scenes of happy walks, snow fights etc with the film's theme instead of dialogue. Wow, would my friends at that time have dumped the bucket of popcorn on me for this assessment!
Being that the film opens with "what do you say about a girl who dies..." I'm not giving away that our heroine dies at the end. MacGraw tells Ryan O'Neal, our hero, that he's not at fault. Good grief am I dense. What did he think he was guilty of? Really-what was he supposed to be guilty of? I missed something because I couldn't figure that out.
If someone can explain please relieve my curiosity.
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Post by Guest on Mar 24, 2024 20:46:11 GMT
I can't help you, kims. Love Story's appeal escapes me, too.
While I've liked other movies of Ryan O'Neal (Barry Lyndon), I never liked Ali McGraw as an actress. I find her annoying.
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Post by Fading Fast on Mar 24, 2024 21:15:43 GMT
In the context of all the hype you note and the "battle" that rages in movie-fan circles to this day around "Love Story," I'm agnostic; as a fluffy love story/romance movie, I like it as a better-than-average Hallmark flick. Today, I also enjoy its early 1970s time-capsul value. Plus, I love that Ray Milland is in it.
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Post by kims on Mar 26, 2024 21:24:14 GMT
Ray Milland may be the best part of the film, though I confess I like the title song, very evocative. Milland shows what a great actor can do. He wasn't given enough material to flesh out a full character, he is the most 3 dimensional character in the film.
A very meaningful Oscar category should be something like "the actor who did a great job in spite of enormous obstacles"
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